FEBRUARY 22, 2023
Dublin International Film Festival
Mila Turajlić
NEWS
FEBRUARY 17, 2023
How to Plot an Abortion
Clair Wills
FEBRUARY 15, 2023
Sharjah Art Foundation Grant Awardees
Mila Turajlić
FEBRUARY 14, 2023
The Ottomans and the Parthenon
Mark Mazower
FEBRUARY 13, 2023
Displayed Words – Displaced
Yasmine Seale
FEBRUARY 10, 2023
Remember Mariupol
Zoya Laktionova
FEBRUARY 7, 2023
Sharjah Biennial
Bouchra Khalili
FEBRUARY 3, 2023
Concrete Utopianism
Kaiama Glover
FEBRUARY 1, 2023
“it feels like a dream”
Pauchi Sasaki
JANUARY 24, 2023
On Lebanon and “Uncertain Times”
Lamia Joreige
JANUARY 20, 2023
X = Freedom
Deborah Levy
JANUARY 18, 2023
Katharina Pistor on Capitalism’s “legal steroids”
JANUARY 16, 2023
Marcel Duchamp Prize
Bouchra Khalili
JANUARY 12, 2023
Jaipur Literature Festival
Amit Chaudhuri
JANUARY 10, 2023
Digitizing Performance in Africa
Alessandra Ciucci
JANUARY 5, 2023
Golden Gays
Hannah Reyes Morales
DECEMBER 20, 2022
Gertrude
Isabella Hammad
DECEMBER 17, 2022
Remember the Smell of Mariupol
Zoya Laktionova
DECEMBER 13, 2022
The Barrios Book in Translation Prize
Tash Aw
DECEMBER 9, 2022
Anna Stavychenko in Le Monde
DECEMBER 6, 2022
Suno and L’ami intérieur
Zoya Laktionova