Through a montage of compelling videos posted on the Internet by lesbian, gay, bisexual, and transgender youth from different parts of the world, Out makes us experience from within the groundbreaking moment of their coming out – after which their intimate and social lives shall be forever changed.
Out by Denis Parrot (2018)
Denis Parrot’s powerfully transformative film explores empathy, online and in real life, showing moments of solidarity, apprehension, and hope. The screening will be followed by a discussion with director Denis Parrot and Nora Philippe.
About the Series
“Mauvais Genres: French Cinema Takes on Gender” presents nine fiction films and documentaries that were produced or co-produced in France and have never or rarely been shown in New York. Seven of these are recent films, while the two films that open and close the series are classics. These films take questions of gender identity and sexual orientation head on, through emancipatory explorations and revolutionary projects, often intimately and politically combative, presenting collective portraits and personal biographies as well as character-driven stories.
“Mauvais Genres” is an ironic pun on a French expression that can mean “bad kind,” “bad manners,” or “bad impression,” and can also mean “wrong” or “mistaken” gender. It is also a nod to filmmaker Sébastien Lifshitz, whose work is highlighted with three selections in this festival, since he used “Mauvais Genre” in the singular as the title of an exhibition about his work. The heroines and heros of these films defy the identities or destinies of gender or sexual orientation that are assigned to them, whether they’re appearing on self-made clips live streamed on youtube or in a mythological village in the Sahel.
This event is featured as part of the film festival, Mauvais Genres: French Cinema Takes on Gender organized by the Columbia Maison Française and curated by Nora Philippe. Additional support is provided by Cultural Services of the French Embassy, Knapp Family Foundation, Paul LeClerc Centennial Fund, Columbia University Institute for Ideas and Imagination, Society of Fellows and Heyman Center for the Humanities.