Against Storytelling:
This symposium aims to raise questions about the rise and centrality of ‘storytelling’ in the past few decades, and what this signifies to a culture. It asks if imaginative work has aspects that hold the attention as much as – often more than – ‘story’ does.
It is part of the ‘literary activism’ series conceptualised and curated by Amit Chaudhuri from December 2014 onwards, whose original mission statement can be read here.
The symposiums have been hosted since their inception by the University of East Anglia with partner institutions like Ashoka University, Presidency University, and Jadavpur University in India, and Oxford University in the UK. They aim to create a conversation and space, distinct from the literary festival or the academic conference, where creative practice may be discussed by writers, artists, filmmakers, academics, publishers, and translators in a way that attempts to uncover terms outside those put in place in the last thirty years by both the market and professionalised academic discourse.
The critic and cultural theorist Simon During described the symposiums as a space ‘where academic work in the humanities shapes creative and critical activities that are not themselves contained by the university system’, while the philosopher Simon Glendinning called it ‘a space for misfits’. The novelist Dubravka Ugresic, after participating in the first symposium, said in an interview: ‘Literary activism, as I see it, should be a useful corrector of mainstream literary values, a reminder and promoter of unknown literary territories. Literary activism is supposed to usurp our comfortable and rigid mainstream opinions, to shake up our literary tastes and standards…’
This symposium aims to raise questions about the rise and centrality of ‘storytelling’ in the past few decades, and what this signifies to a culture. It asks if imaginative work has aspects that hold the attention as much as – often more than – ‘story’ does.
It is part of the ‘literary activism’ series conceptualised and curated by Amit Chaudhuri from December 2014 onwards, whose original mission statement can be read here.
The symposiums have been hosted since their inception by the University of East Anglia with partner institutions like Ashoka University, Presidency University, and Jadavpur University in India, and Oxford University in the UK. They aim to create a conversation and space, distinct from the literary festival or the academic conference, where creative practice may be discussed by writers, artists, filmmakers, academics, publishers, and translators in a way that attempts to uncover terms outside those put in place in the last thirty years by both the market and professionalised academic discourse.
The critic and cultural theorist Simon During described the symposiums as a space ‘where academic work in the humanities shapes creative and critical activities that are not themselves contained by the university system’, while the philosopher Simon Glendinning called it ‘a space for misfits’. The novelist Dubravka Ugresic, after participating in the first symposium, said in an interview: ‘Literary activism, as I see it, should be a useful corrector of mainstream literary values, a reminder and promoter of unknown literary territories. Literary activism is supposed to usurp our comfortable and rigid mainstream opinions, to shake up our literary tastes and standards…’
‘Journalism and the Triumph of the Story: A personal “narrative”’
Jeremy Harding (writer; contributing editor, London Review of Books) talks about his reluctant induction into storytelling as a journalist and his lasting ambivalence in the face of respectable fiction with a good plot and plausible characters. The talk will be chaired by Susan Boynton, Professor of Music (Historical Musicology) at Columbia University and Resident Faculty Director of the Columbia Institute for Ideas and Imagination.